Monday, April 23, 2012

Fortune Telling is a Many Splendored Thing




folded paper game
fortune-telling life, love—
rose petals opening

Remember that game you played in the schoolyard with a piece of paper folded over and over?  On it someone had carefully printed out possible future scenarios--what you would be when you grew up or whom you would love....

It was always a frigid day, with frost nipping at your toes and you had to shuffle and stomp just to generate heat, but you couldn't wait to yank your mitten off, and start manipulating that little paper toy with your fingers. I was never crafty enough to do the folding part well, but I could write out some interesting text. And how much fun such a simple little toy provided.

Thursday, April 19, 2012

Musical Boulders





creek stones
each with its own ping
hidden denizens


Playing the creek boulders again, my favorite instrument and one that I do uncommonly well--unlike traditional musical instruments. (Yes, I fail even at the simple kazoo.) This is Clear Creek at Cedar Bluffs, a particularly beautiful spot this time of year.

Here's what Aimee Nezhukumatathil had to say about haibun, our recent topic.

"Haibun combines a prose poem with a haiku. The haiku usually ends the poem as a sort of whispery and insightful postscript to the prose of the beginning of the poem. Another way of looking at the form is thinking of haibun as highly focused testimony or recollection of a journey composed of a prose poem and ending with a meaningful murmur of sorts: a haiku. The result is a very elegant block of text with the haiku serving as a tiny bowl or stand for the prose poem. A whole series of them in a manuscript look like neat little signs or flags—a visual delight.”

And when speaking about Basho's travel haibun, she particularly liked the haiku which closed each section. She described them this way: "They remind me of a bell tolling, a sound that carries the themes of the passage further. A gong reverberating long after being struck."

Or like my musical stones that echo your passage as you leap from one to the next.

Monday, April 16, 2012

Swimming to Alaska



This is probably one of the longer periods in my life when I haven't swam for months except during childhood when it was summers only, although then nearly full-time. Not counting that March night when we Lynchmobbers were thrown out of the Plymouth-Whitemarsh High School Natatorium where our summer swimming friend had invited us. Someone reported us for being out of "township." Imagine!

For a while I've been meaning to talk about haibun. I think I've mentioned them once or twice. I love the form. It's one of those mixed forms, first popularized centuries ago by Basho in his Narrow Road to the Interior.
Basho's book was a travel journal combining description of new places, stories of what happened along the way, and included in each section was at least one haiku. The haiku did not summarize what he said in prose, but extended it or took it in a new direction.

The form appeals to me because I love short prose vignettes, how episodic they are, and how when you do several they make a kind of literary mosaic or puzzle where the reader does the connecting.

I've written about six of them this year. Here's one that Lynx: a Journal of Linking Poets published in February. I dedicate it to Sarah Palin.

Swimming to Alaska

We decide to drive to Alaska. We head through Oregon and Washington, enter British Columbia, and later traverse part of the Yukon. In B.C. the mighty Fraser River’s whitewater pounds below the highway. Beside it, signs advertise fresh apricots. They taste like the air: fresh, sweet, and delicious. Past Edmonton, we finally turn onto the Alaska-Canadian Highway.

Everyday we take side-trips to lakes. After driving, I dive into each, relishing the silky feel of the water. Swimming a modified breaststroke, I stretch and contract my limbs while gazing at the knobbed mountains and pine forests. Some days I stare deep into the turquoise water and discover giant rocks below. Sometimes, after jumping out of the lake, I take a deep breath, and then flipping legs over head, enter again, swimming as far down as I dare go--until my lungs ache, and I must surface again, desperate for air.

I learn the landscape by smelling each new lake’s individual scent and by feeling with my bare feet its black pebbles or grey sand. The locals greet us as though we are neighbors. Little children approach my husband and me and ask for our names.

on lake’s shore children carve sand mountains

But we don’t only swim in lakes. We rush down hills into wild rivers but carefully test their waters before finding quiet eddies or places where we
can ride the current safely downstream. At Liard Hot Springs, we arrive just after a burly grizzly has cleared every pool. But even in the hot springs, I slip my head into its black liquid. The only couple that have remained after the bear-sighting yell excitedly, “Come up! Don’t dare stay under. Bruin may return looking for cooked meat.”

After crossing the border into Alaska, on the highway to Tok, we see signs for one more lake. At this boulder-rimmed cirque, for the first time I force myself to jump in--the air temperature has dropped considerably. But once inside, I feel as though I can stay forever. My skin adjusts to the cold swirling around me. My heart’s rapid beat begins to slow down. The water becomes my liquid skin.

Two weeks later, we fly to Nome. At a beach by the Bering Sea, the Eskimo kids frolic wearing the widest assortment of clothing: gym shorts, dungarees, a flowered dress, t-shirts advertising California Fried Chicken. No one owns a bathing suit. I dive under the waves, then leap out of the sea. Droplets of cold water splatter over my arms, breast and thighs. I spear my body into another wave realizing that this will be the last swim of the year because here a hundred miles south of the Arctic Circle, we’re already on the cusp of winter.

dog-paddling
in the Bering Sea—
looking for Asia


OK, OK that Sarah Palin line was a quip! Really!

Friday, April 13, 2012

Tuesday, April 10, 2012

The Unstoppable Pulse of Nature





beneath the rock
delicate flowers-
baby’s fontanelle


It's been over a week since we hiked at Cedar Bluffs, but I've been so crazy busy I haven't had time until now to download the photographs.

The place was brimming, absolutely brimming with wildflowers. So many colors and sizes and shapes. At one point, we looked across Clear Creek and noticed a whole field of blue.

I love the combination of rocks and flowers. One so hard, the other so soft. Paired together they make such a contrast, yet such wonderful examples of the natural around us.

Went up to Indy on Saturday to do a haiku workshop. It was at the Writers Center there and we did a ginko, a walk before writing haiku. The place is situated on the banks of the White River and it had some beautiful gardens behind it interspersed with dramatic sculptures from a museum there. Violas, tulips and dogwood were all in bloom. And a green spider had made a very large spiderweb in one of the crooks of a crooked little house. He sat there in the bright sun waiting for his next meal. Two geese flew above the riffles of the river. A very charming scene.

Inside we talked some about Issa who wrote many insect poems (not that a spider is an insect) but there were gnats and bumblebees too. All and the poets too looking for sustenance.

Thursday, April 5, 2012

"puddle wonderful"



puddles
even the trees
dive in


In honor of e.e. cummings from whom I borrowed the title, I have to forego the capitals in the heading. Really haiku have no need for the big whigs!

I'm trying to practice the Japanese concept of karumi "observing simple things closely."

But think of all that is involved in a simple puddle:: the whole condensation/cloud/rain cycle. The physics of gravity and water pooling, the optics of reflection.

Instead I'll just watch Mr. Darcy slide and scurry through them, splashing last night's rain over the grass and bushes in his sheer joy of water-play.

Wednesday, April 4, 2012

A Sequence out of Season


ON THE CUSP OF THE SOLSTICE

how quiet
the quiet before
winter dawn

first snowfall
the neighborhood runner
walks in tights

six crows
silent in a snowy field—
noon whistle

nickel-sized snowflakes
old man at the bus stop
wearing one glove

past midnight
can’t stay indoors
when the barred owl calls

not so close
small skunk
running in the road

winter sky-watching
sycamore branch divides
one star in two

Haikuists like many artists often focus on the same subject over and over. The Japanese poet Kobayashi Issa wrote nearly 200 haiku about frogs. Maybe he lived right next to a pond. Perhaps, they kept him awake on those long spring nights (when we lived in Berkeley, the spring frog chorus was so loud that the sound seemed to pulse inside my body.) For Issa maybe watching those big bullfrogs leap into water just filled him with so much joy that he had to share it.

I find myself writing about celestial events a lot. Most nights, I begin walking my dog at dusk; by the time we're homeward bound, usually the stars or moon have appeared. This last month has been conjunction-heaven, excuse the pun. Venus and Jupiter put on a grand show, now Venus and the moon are hard at linking in the western sky.

And speaking of linking, this is my first published sequence of haiku. It appeared in LYNX: A Journal for Linking Poets XXVII:1,
February, 2012

Monday, April 2, 2012